Something about pagan doodles on the pages of Hosea seems connected to our project in some odd way I haven't yet thought through, but I thought I'd post it here.
Holcot's Moralitates are a collection of material for the use of preachers in which the 'picture' [memory] technique is lavishly used....He places such images, in imagination, on the pages of a Scriptural text, to remind him of how he will comment on the text. On a page of the prophet Hosea he imagines the figure of Idolatry to remind him of how he will expand Hosea's mention of that sin. He even places on the text of the prophet an image of Cupid, complete with bow and arrows! The god of love and his attributes are, of course, moralised by the friar, and the 'moving' pagan image is used as a memory image for his moralising expansion of the text.
The preference of these English friars for the fables of the poets as memory images, as allowed by Albertus Magnus, suggests that the artificial memory may be a hitherto unsuspected medium through which pagan imagery survived in the Middle Ages. (pp. 98-99)
This is the staging area for a trip down the Mississippi River from the headwaters in Minnesota to the Gulf of Mexico, starting in August 2009. At the moment, we're envisioning a journey made by canoe, but that may change as plans take shape. A project that is developing out of this journey is called (for the moment) Archives of Exile: River Voices, and that project is the focus of the conversation that's happening on this blog. We warmly invite you to read and comment!
Saturday, 5 March 2011
archives of images
I'm reading a really fascinating book called "The Art of Memory" by Frances Yates, which traces ancient Greek techniques of "artificial memory" through European history. In the medieval chapter, there's talk of a 14th century English friar by the name of Robert Holcot:
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